Eagles Of Death Metal
Side projects give a musician a chance to stretch beyond the limited confines of his day job (the group that is selling tons of CDs/downloads and touring the world). But Joshua Homme has turned side projects into a career.
When Homme's band Kyuss bit the dust in '95, he formed Gamma Ray, and that eventually led to Queens Of The Stone Age. While QOTSA was rolling, Homme recorded the "Desert Sessions" with an ever-changing musical cast. Then he was back with QOTSA before starting Headband, with Twiggy Ramirez, formerly of Marilyn Manson, and singer Casey Chaos. But before Headband got too far down the road Homme connected with vocalist Jesse "The Devil" Hughes, a former collaborator on the "Desert Sessions," to form Eagles Of Death Metal.
Actually, Homme and Hughes go back a bit further than the "Desert Sessions." The two met in '79 at age seven in lovely Palm Desert. Once out of school, Homme went the Rock route while Hughes became a journalist. Of course, years later Hughes made the trip to the dark side - or maybe it's journalism that's the dark side. Possibly, Hughes (who still looks like a journalist - not the devil) just went from one dark side to another.
Eagles Of Death Metal's boogie debut "Peace Love Death Metal" arrived in '04. A QOTSA CD ("Lullabies To Paralyze") was issued the following year so Homme could keep off unemployment. Then in '06, Eagles Of Death Metal unveiled "Death By Sexy."
With their album out, Eagles Of Death Metal toured supporting The Strokes, before taking a headlining jaunt. Next was what looked like a huge opportunity, opening for Guns N' Roses.
Controversy is often good. Gets the band's name in print and usually, little damage is done. And getting into a tussle with Axl Rose, a man with a long history of irrational, illogical and irresponsible behavior, is practically a no lose situation.
In Cleveland, on 11/24/06, the first date of the GN'R tour, the Eagles Of Death Metal's set was not well received. Not surprising, since die-hard fans are there just for the headliner, and not some opening act who takes up time and are usually only there to drive people to the bar.
Rose, always the peacemaker, came onstage for the GN'R set, and asked the audience how they liked "the Pigeons of Shit Metal." The audience's reaction was predictable. Then he added that Eagles Of Death Metal had played their last show with GN'R. Though Rose later claimed he invited the band back on to the tour, the damage was done. Eagles Of Death Metal were gone (they released a statement in their defense that played on a number of GN'R song titles*), though reportedly, they were paid for the entire tour even though they only played a single show. Time to move on, which is exactly what Eagles Of Death Metal did.
Homme announced that the Eagles Of Death Metal's '08 album was titled "Heart On." The album was written on their tour through the heartland, which is where they got their "heart-on." Nothing says 'middle-America' like the song titles "Prissy Prancin'" and "I'm Your Torpedo." The release led to another North American trek. No doubt to gather more material.
*EODM Statement Regarding Their GN'R Experience: "At first, the audience refused to welcome us to the jungle, but by the time we took our final bow, it had become paradise city. Although Axl tried to November rain on our parade, no sweet child o' mine can derail the EODM night train. We say live and let die."
T-Rex, Sweet, Slade, Mott The Hopple and the New York Dolls are evoked by the Eagles Of Death Metal, who sound neither like the Eagles or Death Metal. This is fun, riff-Rock with barely a thought in its head. "Peace Love Death Metal" and "Death By Sexy" are simply excuses to re-live of Rock's more indulgent moments, a time when "sex, drugs and Rock n' Roll" became a lifestyle rather than a slogan. And as such, they work perfectly.
"Peace Love Death Metal" has "Stuck In The Metal," a clever reworking of the Steeler's Wheel tune. There's also the jokey butt-Rock of "I Only Want You." "Death By Sexy" scores with "I Want You So Hard" (a "pure" '70s sexual come on), "I Gotta Feeling (Just Nineteen)" (about hitting on a 19 year old - more sex), "I Like To Move" and "The Ballad Of Queen Bee And Baby Duck" (now there's a song title!).
With fuzzy licks played sharply, Eagles Of Death Metal power through "Heart On" with confidence and panache, like some long forgotten and slightly demented '80s Metal band. It's all here; the longing for L.A., cheap thrills, tight pants and high voltage girlfriends. The repetitive riffs are supported by a big fat bass and driving drums, all delivered with a "if I only knew then what I know now" mindset. Even the falsetto vocals on "Prissy Prancin'" works.