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Bob Seger

Bob Seger

Right in the middle of just about every televised sporting event in the '90s there was a commercial for Chevy trucks. As the truck rolls through potholes that look like canyons and mud puddles that are closer to lakes, there is a gruff voice singing, "Like a rock." That's Bob Seger - and for a lot of people that IS Bob Seger. It figures Seger would be associated with a truck promoting itself as hardworking and durable.

Hailing from the Motor City, Seger began recording in '65. His records were highly successful - in the Midwest - and nowhere else. He tried it solo; he tried it with a group. Nothing seemed to broaden his audience. And it took nearly a decade for that to change.

Seger's first big national break came in '75 with the "Beautiful Loser" LP containing "Katmandu" (which wound up on The Mask soundtrack) and "Nutbush City Limits." It went gold, but the follow up, in '76, "Live Bullet" went further. It blew the doors off.

Back in the studio, "Night Moves," had the title track ballad, which turned out to be a monster, and Seger's proudest moment - or so he says. It also had the rough unsentimental ballad "Mainstreet." A great record. "Stranger In Town" hit in '78 and was notable for "Old Time Rock and Roll" which celebrated the '50s -'60s. It didn't directly attack disco but it was clear the singer wasn't enamored with latest trend. In the '80s, Seger got around to recording "Like A Rock" and the rest is history.

Things were going slowly as Seger worked on his first studio album in more than a decade. However, his '04 induction into the Rock and Roll Hall Of Fame helped motivate him to finish "Face The Promise." "I wanted to deserve it with this album, so I started working harder," he explained. "I wanted to make sure to leave some blood on the page." He got help from fellow Michigan native Kid Rock and Country star Patty Loveless for the '06 release.

Seger was inducted into the Songwriters Hall of Fame in '12 and a year later joined another accomplished songwriter, John Fogerty (Creedence Clearwater Revival), for a duet of "Who'll Stop The Rain" on Fogerty's album "Wrote A Song For Everyone."

Seger's 17th studio album, "Ride Out, dropped in '14. Three years passed before "I Knew You When" arrived. The record was dedicated to Seger's longtime friend and collaborator, The Eagles Glenn Frey, who passed away in '16.

Perhaps it was time to close up shop. Seger launched his farewell U.S. tour in Grand Rapids, MI, where it was 'Bob Seger Day' (Seger was from Detroit). The '18 trek was named Travelin Man: The Final Tour after the song from his '75 album, "Beautiful Loser."

Bob Seger Discography

Studio Albums:

1969 Ramblin' Gamblin' Man
1969 Noah
1970 Mongrel
1971 Brand New Morning
1972 Smokin' O.P.'s
1973 Back In '72
1974 Seven
1975 Beautiful Loser
1976 Night Moves
1978 Stranger In Town
1980 Against The Wind
1982 The Distance
1986 Like A Rock
1991 The Fire Inside
1995 It's A Mystery
2006 Face The Promise
2014 Ride Out
2017 I Knew You When

Live Albums:

1976 Live Bullet
1981 Nine Tonight

For a time, a very long time, it looked as though Bob Seger was just a Midwest thing. "Live Bullet" has Seger and the Silver Bullet Band unleashed. It would have made an excellent encapsulation of Seger's career except, fortunately, it turned out to be a launching pad. "Night Moves" out later the same year ('76) has the title ballad but it also has "Rock and Roll Never Forgets" and "Fire Down Below." "Stranger In Town" is not as strong. It too has a pop ballad hit, "We've Got Tonight," but it also Rocks with "Hollywood Nights" and the working man's "Feel Like A Number." While Seger's subsequent albums are strong his '70s work is better.

Going back to the beginning, "Greatest Hits," covers all the obvious high points. '03 release "Greatest Hits 2" compiles second tier but still notable tracks including "Katmandu," "Beautiful Loser" (the title says it all) and "Rock and Roll Never Forgets." There are two additional tracks, "Satisfied," an acoustic Blues number, and "Tomorrow," a far superior two-guitar blast.

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